2010Helping pack up his childhood home was going much easier than Amir expected. The only sticking point is the record collection his father Alonzo refuses to put in storage. When Amir asked his father why he needs to keep all those records with him, Alonzo offers to tell him a story instead.--Monterey Pop FestivalIn 1967, Alonzo was a baby music reporter at the Village Voice on his first big assignment. By his side is photographer Ada Carr who is all brown skin, big afro and sharp tongue... more2010Helping pack up his childhood home was going much easier than Amir expected. The only sticking point is the record collection his father Alonzo refuses to put in storage. When Amir asked his father why he needs to keep all those records with him, Alonzo offers to tell him a story instead.--Monterey Pop FestivalIn 1967, Alonzo was a baby music reporter at the Village Voice on his first big assignment. By his side is photographer Ada Carr who is all brown skin, big afro and sharp tongue. He should be worried about his story, but all he can think about is the way Ada looks dancing to the music in the dusk, the stage lights illuminating her form. He knows love when he sees, or better yet hears, it.Over the course of two weekends, over forty years apart, Alonzo imparts a soundtrack of love and life to Amir that bridges the past and present and they both learn how to say goodbye.Content Warnings:Parental deathGriefRecreational drug use less
