Russian Literature and Thought Series Series by Alexander Pushkin, Toby W. Clyman

In a major burst of creativity, Russian poet Alexander Pushkin during just three months in 1830 completed Eugene Onegin, composed more than thirty lyric poems, wrote several short stories and folk tales, and penned the four short dramas in verse that comprise the "little tragedies". The "little tragedies" stand among the great masterpieces of Russian literature, yet they were last translated into English a quarter-century ago, and have in recent years been out of print entirely... moreIn a major burst of creativity, Russian poet Alexander Pushkin during just three months in 1830 completed Eugene Onegin, composed more than thirty lyric poems, wrote several short stories and folk tales, and penned the four short dramas in verse that comprise the "little tragedies". The "little tragedies" stand among the great masterpieces of Russian literature, yet they were last translated into English a quarter-century ago, and have in recent years been out of print entirely. In this outstanding new translation, Nancy K. Anderson preserves the cadence and intensity of Pushkin's work while aligning it with today's poetic practices and freer approach to metrics. In addition she provides critical essays examining each play in depth, a discussion of her approach to translating the plays, and a consideration of the genre of these dramatic pieces and their performability.The four "little tragedies" -- Mozart and Salieri, The Miserly Knight, The Stone Guest, and A Feast During the Plague -- are extremely compressed dialogues, each dealing with a dominant protagonist whose central internal conflict determines both the plot and structure of the play. Pushkin focuses on human passions and the interplay between free will and fate: though each protagonist could avoid self-ruin, instead he freely chooses it. less

Nineteenth-century Russia has been known to the West mainly through the writings of men. Russian women, however, were far from silent and have left vivid testimony about their families, their education, their careers, and their country. This collection presents, for the first time in English, the lives of eleven remarkable Russian women as told in their own words.These autobiographies span the century and cover a wide range of classes and professions... moreNineteenth-century Russia has been known to the West mainly through the writings of men. Russian women, however, were far from silent and have left vivid testimony about their families, their education, their careers, and their country. This collection presents, for the first time in English, the lives of eleven remarkable Russian women as told in their own words.These autobiographies span the century and cover a wide range of classes and professions. Among the authors are women of the gentry (Natalia Grot), the merchant class (Aleksandra Kobiakova), the lower bureaucracy (Praskovia Tatlina), and the serf class (Liubov Nikulina-Kositskaia). They include writers (Elizaveta Lvova, Anastasia Verbitskaia), a journalist (Emilia Pimenova), an actress in the provincial theater (Liubov Nikulina-Kositskaia), and two physicians (Varvara Kashevarova-Rudneva, Ekaterina Slanskaia)—one the first woman to earn a medical degree in Russia, the other a doctor in the slums of St. Petersburg. Their memoirs show their fierce engagement in the debate over woman's nature, her duties and responsibilities, her upbringing, and her place in society.Each autobiography is introduced and annotated by Toby Clyman and Judith Vowles, who also provide a general introduction that situates these writings within the Russian and Western autobiographical traditions. less