Russian Library Series by Alexander Griboyedov, Aleksey Remizov, Sofia Khvoshchinskaya, Avvakum Petrov

Alexander Griboedov's Woe from Wit is one of the masterpieces of Russian drama. A verse comedy set in Moscow high society after the Napoleonic wars, it offers sharply drawn characters and clever repartee, mixing meticulously crafted banter and biting social critique. Its protagonist, Alexander Chatsky, is an idealistic ironist, a complex Romantic figure who would be echoed in Russian literature from Pushkin onward... moreAlexander Griboedov's Woe from Wit is one of the masterpieces of Russian drama. A verse comedy set in Moscow high society after the Napoleonic wars, it offers sharply drawn characters and clever repartee, mixing meticulously crafted banter and biting social critique. Its protagonist, Alexander Chatsky, is an idealistic ironist, a complex Romantic figure who would be echoed in Russian literature from Pushkin onward. Chatsky returns from three years abroad hoping to rekindle a romance with his childhood sweetheart, Sophie. In the meantime, she has fallen in love with Molchalin, her reactionary father Famusov's scheming secretary. Chatsky speaks out against the hypocrisy of aristocratic society--and as scandal erupts, he is met with accusations of madness.Woe from Wit was written in 1823 and was an immediate sensation, but under heavy-handed tsarist censorship, it was not published in full until forty years later. Its influence is felt not just in Russian literary language but in everyday speech. It is the source of a remarkable number of frequently quoted aphorisms and turns of phrase, comparable to Shakespeare's influence on English. Yet owing to its complex rhyme scheme and verse structure, the play has frequently been considered almost untranslatable. Betsy Hulick's translation brings Griboedov's sparkling wit, spirited dialogue, and effortless crossing of registers from elevated to colloquial into a lively contemporary English. less

In a dilapidated and isolated old house, something peculiar seems to happen whenever the town's bestial exterminator visits. On a seemingly bucolic country estate, the head of the household is a living corpse obsessed with other corpses. An adolescent boy who passes his days in private dream worlds experiences a sexual awakening spurred by his family's scandalous tenant... moreIn a dilapidated and isolated old house, something peculiar seems to happen whenever the town's bestial exterminator visits. On a seemingly bucolic country estate, the head of the household is a living corpse obsessed with other corpses. An adolescent boy who passes his days in private dream worlds experiences a sexual awakening spurred by his family's scandalous tenant. In these and other stories, the modernist writer Alexei Remizov offers a panorama of Russian mythology, the supernatural, rural grotesques, and profound religious faith in fiery revolutionary settings.Alexei Remizov was one of the greatest writers of the Russian symbolist movement of the early twentieth century. In the thirteen stories collected in this volume, Remizov's exceptional stylistic achievements are on full display. Equally drawing on rural colloquial speech, the language of Russian fairy tales, and the customs of the Old Believers and Russian Orthodoxy, they transport the reader into a mysterious world in between uncanny folktales and encroaching modernity. The Little Devil and Other Stories includes works from across Remizov's career encompassing his thematic preoccupations and stylistic experimentation. Antonina W. Bouis's translation captures Remizov's many registers to offer English-language readers a sampling of a remarkable Russian writer. less

An unsung gem of nineteenth-century Russian literature, City Folk and Country Folk is a seemingly gentle yet devastating satire of Russian elites in the 1860s. Translated here into English for the first time, the novel weaves a rollicking tale of social change, villainous machinations, and female empowerment in the wake of the official emancipation of the Russian Empire’s serfs... moreAn unsung gem of nineteenth-century Russian literature, City Folk and Country Folk is a seemingly gentle yet devastating satire of Russian elites in the 1860s. Translated here into English for the first time, the novel weaves a rollicking tale of social change, villainous machinations, and female empowerment in the wake of the official emancipation of the Russian Empire’s serfs. Upending the literary clichés of female passivity and rural-gentry benightedness, Sofia Khvoshchinskaya centers her story on a tough and savvy heiress who refuses to succumb to the pressure to marry. City Folk and Country Folk unfolds at the country estate of Nastasya Ivanovna, where she lives with her seventeen-year-old unmarried daughter, Olenka. As three Muscovite “city folk” descend on the pair and attempt to take advantage of them, Olenka staves off their efforts to push her into marriage, displaying a courage that is thoroughly uncharacteristic of the heroines of Turgenev’s fiction and other Russian works by men. Sofia Khvoshchinskaya and her writer sisters closely mirror Britain’s Brontës, yet Khvoshchinskaya’s work contains more of Jane Austen’s wit and social repartee, as well as an intellectual engagement reminiscent of Elizabeth Gaskell’s condition-of-England novels. Written by a woman under a male pseudonym, this brilliant and entertaining exploration of gender dynamics on a post-emancipation Russian estate offers a fresh and necessary point of comparison with the better-known classics of nineteenth-century world literature. less

During the three decades between Nikon's elevation to the patriarchate (July 1652) and the execution by fire of the prisoners of Pustozersk, including Avvakum (April 1682), the Archpriest's influence and fame grew steadily among those committed to the old rituals. He was thirty-one in 1652, simply one among several outstanding clerics from the younger generation who had impressed Neronov and Vonifat'ev by their piety, force of personality, and devotion to spiritual renewal... moreDuring the three decades between Nikon's elevation to the patriarchate (July 1652) and the execution by fire of the prisoners of Pustozersk, including Avvakum (April 1682), the Archpriest's influence and fame grew steadily among those committed to the old rituals. He was thirty-one in 1652, simply one among several outstanding clerics from the younger generation who had impressed Neronov and Vonifat'ev by their piety, force of personality, and devotion to spiritual renewal. Thirty years later he was considered a saint by many; he had become the authoritative doctrinal arbiter among the dissenters and an inspiring example of unflinching defiance no matter the risk or cost. In reading Avvakum's Life we are struck by the astonishing record of his tumultuous existence prior to his final imprisonment. Yet many of his contemporaries could have matching him tale for dramatic tale, had they his narrative gifts. Avvakum's sufferings had little to do with his special destiny. When he returned from his Siberian exile in 1664, the older leaders of the Lovers of God were scattered, discouraged, or dead. Conservatives were understandably attracted by this charismatic and already well-known spokesman for their convictions, especially as his visibility increased in proportion to his growing antipathy for the reformers and their conciliatory blandishments. When Avvakum did not bend under his second exile nor break under the excommunication and anathema heaped upon his by the Ecumenical Council of 1666-67, he was thrust into a position of lasting preeminence. His entire life seems to have been a preparation for this culminating confrontation with the devil's deputies and for his subsequent imprisonment in the arctic village of Pustozersk; it was there in bestial incarceration that he produced the writings which consolidated his place among the schismatics, in the annals of Russian history, and in the cultural consciousness of every literate Russian. This volume includes a preface, introduction, remarks, annotation, notes, and references by Kenneth N. Brostrom. The study of Life by V. V. Vinogradov is also included. Avvakum'sThe Life of the Archpriest Avvakum is translated by Kenneth N. Brostrom. less