The New Middle Ages Series by Jóhanna Katrín Friðriksdóttir, Valerie Allen, Pamela Sheingorn

Abelard and Heloise are nearly as famous a pair of tragic lovers as the fictional Romeo and Juliet; their shared passion for knowledge, religious faith, and one another sealed their destiny. Abelard was a well-respected, 12th-century Parisian scholar and teacher, and Heloise was his talented young student. The two relate their story through a set of letters to one another and intimate acquaintances... moreAbelard and Heloise are nearly as famous a pair of tragic lovers as the fictional Romeo and Juliet; their shared passion for knowledge, religious faith, and one another sealed their destiny. Abelard was a well-respected, 12th-century Parisian scholar and teacher, and Heloise was his talented young student. The two relate their story through a set of letters to one another and intimate acquaintances. Their ardor is unmistakable; as Abelard writes to his love, "So intense were the fires of lust which bound me to you that I set those wretched, obscene pleasures, which we blush even to name, above God as above myself..." This forbidden lust resulted in a pregnancy and secret marriage, and when their union could no longer withstand the challenges in its path, each lover sought refuge in the church--Abelard became a monk and Heloise an abbess. Their correspondence continued as both achieved success in their new careers but continued to struggle with their feelings for one another; the set of letters powerfully articulates the wide range of emotions they experienced. So timeless is their love story that--after eight centuries--their passion, their devotion, and their struggle still resonate with readers.The letters of Abelard and Heloise were written in Latin about the year 1128, and were first published in Paris in 1616. The 'Letters' appeared first in England in 1728 in their original Latin, but thereafter translations were numerous. less

Old Norse texts offer different ideas about what it is to be female, presenting women in diverse social and economic positions. This book analyzes female characters in medieval Icelandic saga literature, and demonstrates how they engaged with some of the most contested values of the period, revealing the anxieties of both the authors and audiences.

This book presents waste as an aesthetic category that introduces an arsy-versy world where detritus is precious. This aesthetic is applied in the second part to etymology, poking through the "paternal dungheaps" of words, and tracing their origins not to Eden but to Babel, puns, and word play. Finally, in the case of Roland the Farter, who performed annually a jump, whistle, and fart before the king of England, we encounter the resistance of the past to historical rationalization... moreThis book presents waste as an aesthetic category that introduces an arsy-versy world where detritus is precious. This aesthetic is applied in the second part to etymology, poking through the "paternal dungheaps" of words, and tracing their origins not to Eden but to Babel, puns, and word play. Finally, in the case of Roland the Farter, who performed annually a jump, whistle, and fart before the king of England, we encounter the resistance of the past to historical rationalization. Roland moons at us across the centuries, deflating our attempts to become one flesh with the past, and placing laughter at the heart of knowing. less

While scholarship in lesbian/gay studies, queer studies, and studies of gender and sexuality has had an enormous impact on medieval studies, little attention has been paid thus far to women who chose to live according to same-sex affectivity and desire. General treatments of homosexuality in the Middle Ages have assumed that little can be said on the subject. The contributors explore the many ways that lesbian love and desire may have been articulated and represented in the medieval period.