Frames: The Freddie Montgomery Trilogy Series by John Banville

Returning to Ireland to reclaim a painting that is part of his patrimony, a thirty-eight-year-old man commits a ghastly and motiveless murder, which he confesses in a novel-length narrative.

Ghosts opens with a shipwreck, leaving a party of sightseers temporarily marooned on an island. The stranded castaways make their way towards the refuge of the isle’s reclusive savant; but the big isolated house which is home to Professor Silas Kreutznaer and his laconic assistant, Licht, is also home to another, unnamed presence . . moreGhosts opens with a shipwreck, leaving a party of sightseers temporarily marooned on an island. The stranded castaways make their way towards the refuge of the isle’s reclusive savant; but the big isolated house which is home to Professor Silas Kreutznaer and his laconic assistant, Licht, is also home to another, unnamed presence . . .Onto this seemingly haunted island, where a strange singing hangs in the air, Banville drops a scrumptious cast of characters – including a murderer – and weaves a tale where the details are clear but the conclusion polymorphous – shifting appearances, transformations and thwarted assumptions make this world of uneasy calm utterly enthralling. less

Morrow – a clerkish, middle-aged type encumbered with a chain-smoking dying aunt and a considerable talent for wallowing – is at a loose end when, on two separate occasions, he is beckoned up the stairs of an empty Dublin house. The first is an offer of dubious work, and Morrow soon becomes caught up in a conspiracy to authenticate a series of fake paintings. The second, possibly even odder, is an offer of a love – of a sort... moreMorrow – a clerkish, middle-aged type encumbered with a chain-smoking dying aunt and a considerable talent for wallowing – is at a loose end when, on two separate occasions, he is beckoned up the stairs of an empty Dublin house. The first is an offer of dubious work, and Morrow soon becomes caught up in a conspiracy to authenticate a series of fake paintings. The second, possibly even odder, is an offer of a love – of a sort. Written in typically luminous prose and featuring a rich cast of characters, Athena is a paean to art, painting, and love, in all its mercurial richness. less