ثلاثية ذاكرة الجسد Series by Ahlam Mosteghanemi, أحلام مستغانمي

This prize-winning novel, the first to be written by an Algerian woman in Arabic, is concerned with Algeria's struggle against foreign domination as well as its post-independence struggle with itself and the fate of revolutionary ideals in a post-revolutionary society... moreThis prize-winning novel, the first to be written by an Algerian woman in Arabic, is concerned with Algeria's struggle against foreign domination as well as its post-independence struggle with itself and the fate of revolutionary ideals in a post-revolutionary society.The story, spanning more than four decades of Algerian history, from the 1940s to the 1980s, revolves around a love affair between Khaled, the middle-aged militant who turns to painting after losing his left arm in the struggle, and the fiction writer and young daughter of his friend the freedom fighter Si Taher, all brilliantly told through Khaled's voice.It was features such as this convincing embodiment of a male voice alongside narrative techniques in which the author subtly joins the acheivements of world literature with that of local storytelling and traditional modes of narration that particularly impressed the judges who awarded this novel the Naguib Mahfouz Medal for Literature. less

Ahlam Mosteghanemi's second novel picks up where Memory in the Flesh left off, with the story of love set in the battered and bruised Algeria of the1990s. Mosteghanemi takes her readers through the streets of suspicion and suspense, and the ups and downs of a forbidden love affair, through a story within a story, as a writer stuck in a loveless marriage to an important military man inadvertently writes what eventually comes true... moreAhlam Mosteghanemi's second novel picks up where Memory in the Flesh left off, with the story of love set in the battered and bruised Algeria of the1990s. Mosteghanemi takes her readers through the streets of suspicion and suspense, and the ups and downs of a forbidden love affair, through a story within a story, as a writer stuck in a loveless marriage to an important military man inadvertently writes what eventually comes true. She begins--after a period of not writing--by penning the narrative of a mysterious man who courts the object of his desire through deceptive words, then she helplessly follows the path of her fictitious character only to find that the mystery man exists and it is he who has led her to his door and into his life. One twist leads to the next, as the question remains of which man the writer was destined to meet and fall in love with--the mysterious artist or the doomed journalist. This lyrical adventure teases the reader with facts for fiction and fiction for facts. The backdrop of political chaos creates a sense of foreboding and fear for two powerless lovers. But where is reality and where is fantasy? less

"كل ما أدريه أنني مذ غادرت الجزائر ما عدت ذلك الصحافي ولا المصوّر الذي كنته. أصبحت بطلاً في رواية، أو في فيلم سينمائي يعيش على أهبة مباغتة؟ جاهزاً لأمر ما.. لفرح طارئ أو لفاجعة مرتقبة. نحن من بعثرتهم قسنطينة، ها نحن نتواعد في عواصم الحزن وضواحي الخوف الباريسي... more"كل ما أدريه أنني مذ غادرت الجزائر ما عدت ذلك الصحافي ولا المصوّر الذي كنته. أصبحت بطلاً في رواية، أو في فيلم سينمائي يعيش على أهبة مباغتة؟ جاهزاً لأمر ما.. لفرح طارئ أو لفاجعة مرتقبة. نحن من بعثرتهم قسنطينة، ها نحن نتواعد في عواصم الحزن وضواحي الخوف الباريسي. حتى من قبل أن نلتقي حزنت من أجل ناصر، من أجل اسم أكبر من أن يقيم ضيفاً في ضواحي التاريخ، لأن أباه لم يورثه شيئاً عدا اسمه، ولأن البعض صنع من الوطن ملكاً عقارياً لأولاده، وأدار البلاد كما يدير مزرعة عائلية تربي في خرائبها القتلة، بينما يتشرد شرفاء الوطن في المنافي. جميل ناصر، كما تصورته كان. وجميلاً كان لقائي به، وضمة منه احتضنت فيها التاريخ والحبّ معاً، فقد كان نصفه سي الطاهر ونصفه حياة. كانت شقته على بساطتها مؤثثة بدفء عن استعاض بالأثاث الجميل عن خسارة ما، ومن استعان بالموسيقى القسنطينية ليغطي على نواح داخلي لا يتوقف... رحت أسأل ناصر عن أخباره وعن سفره من ألمانيا إلى باريس إن كان وجد فيه مشقة less