Cemetery Dance: Issue 62 (Cemetery Dance Magazine #62)
Richard Chizmar, Kealan Patrick Burke, Gary L. Raisor, William Peter Blatty, Brian James Freeman, Dan Grant, Bev Vincent, David Morrell, Thomas F. Monteleone, Michael Marano, Douglas Clegg, Don D'Auria, Ellen Datlow, Cody Goodfellow, Robert Morrish, Ed Gorman, Nate Southard, Mark Sieber, David Simms, T.T. Zuma, Brian M. Sammons, J.G. Faherty, Michael McCarty, Tom Piccirilli, Norma L. Rubenstein, Hank Wagner
Rated: 4.00 of 5 stars
4.00
· 1 ratings · 254 pages · Published: 27 Nov 2009
5 • Words from the Editor (Cemetery Dance #62) • [Editorial (Cemetery Dance)] • essay by Richard Chizmar
6 • Sacrifice • short story by Gary L. Raisor [as by Gary Raisor]
6 • Sacrifice • interior artwork by Glenn Chadbourne
12 • A Conversation with William Peter Blatty • interview of William Peter Blatty • interview by Brian James Freeman [as by Brian Freeman]
22 • Epilogue: The Exorcist • [Exorcist] • short fiction by William Peter Blatty
22 • Epilogue: The Exorcist • interior artwork by Dan Grant
28 • Prologue to Exorcist III: Legion • [Exorcist] • short fiction by William Peter Blatty
28 • Prologue to Exorcist III: Legion • interior artwork by Chris Hill
34 • Terry and the Werewolf • short story by William Peter Blatty
34 • Terry and the Werewolf • interior artwork by Steven Gilberts [as by Steven C. Gilberts]
43 • An Invitation to the Dance: Legion: Exorcist III • essay by Kealan Patrick Burke
47 • From the Dead Zone: Stephen King News (Cemetery Dance #62) • [From the Dead Zone] • essay by Bev Vincent
50 • Dead Image • (1985) • novelette by David Morrell
50 • Dead Image • interior artwork by Keith Minnion
60 • The Curious Odyssey of James Deacon (AKA James Dean) & Where Darkness is the Only Light • essay by David Morrell
60 • The Curious Odyssey of James Deacon (AKA James Dean) & Where Darkness is the Only Light • interior artwork by Russell Morgan
65 • Where Darkness Is the Only Light • short story by David Morrell
67 • Talking to Angels Is Always Better Than Demons • [The Mothers and Fathers Italian Association] • essay by Thomas F. Monteleone
70 • Mediadrome (Cemetery Dance #62) • [MediaDrome] • essay by Michael Marano
74 • The Innocents at the Museum of Antiquities (Part 2 of 3) • serial by Douglas Clegg
74 • The Innocents at the Museum of Antiquities (Part 2 of 3) • interior artwork by Glenn Chadbourne
89 • Editorial Perspectives: The Cover Story (Part 1) • essay by Don D'Auria
93 • The Last Ten Books I've Read (Cemetery Dance #62) • [The Last Ten Books I've Read] • essay by Ellen Datlow
93 • Review: The New Uncanny: Tales of Unease by Sarah Eyre and Ra Page • review by Ellen Datlow
93 • Review: Shades of Darkness by Barbara Roden and Christopher Roden • review by Ellen Datlow
93 • Review: Subterranean: Tales of Dark Fantasy by William Schafer • review by Ellen Datlow
93 • Review: Exotic Gothic 2 by Danel Olson • review by Ellen Datlow
93 • Review: Bound for Evil: Curious Tales of Books Gone Bad by Tom English • review by Ellen Datlow
94 • Review: Islington Crocodiles by Paul Meloy • review by Ellen Datlow
94 • Review: Worse Than Myself by Adam Golaski • review by Ellen Datlow
94 • Review: The Sister by Poppy Adams • review by Ellen Datlow
94 • Review: Rain Dogs by Gary McMahon • review by Ellen Datlow
94 • Review: Midnight Picnic by Nick Antosca • review by Ellen Datlow
96 • Wasted on the Young • short story by Cody Goodfellow
96 • Wasted on the Young • interior artwork by Nick Tripiciano
103 • Spotlight on Publishing (Cemetery Dance #62) • [Spotlight on Publishing] • essay by Robert Morrish
103 • Review: The Catacombs of Fear by John Llewellyn Probert • review by Robert Morrish
104 • Review: Passport to Purgatory by Tony Richards • review by Robert Morrish
110 • Fine Points (Cemetery Dance #62) • [Fine Points] • essay by Ed Gorman
112 • The Message • short story by Nate Southard
112 • The Message • interior artwork by Alex McVey
116 • Horror Drive-In (Cemetery Dance #62) • [Horror Drive-In] • essay by Mark Sieber
118 • Cemetery Dance Reviews (Cemetery Dance #62) • essay by various
118 • Review: Afraid by Jack Kilborn • review by David Simms
118 • Review: Aftershock & Others: 19 Oddities by F. Paul Wilson • review by T. T. Zuma
119 • Review: Bestial by Ray Garton • review by Brian M. Sammons
120 • Review: The Book of Lists: Horror by Amy Wallace and Del Howison and Scott Bradley • review by Brian M. Sammons
120 • Review: Children of Chaos by Greg F. Gifune • review by T. T. Zuma
121 • Review: Crime Spells by Martin H. Greenberg and Loren L. Coleman • review by Brian M. Sammons
121 • Review: Death's Daughter by Amber Benson • review by J. G. Faherty
122 • Review: How to Survive a Horror Movie by Seth Grahame-Smith • review by Brian M. Sammons
122 • Review: Monstrous: 20 Tales of Giant Creature Terror by Ryan C. Thomas • review by J. G. Faherty
123 • Review: Necrotica by Hallam Heathcoat • review by T. T. Zuma
123 • Review: The Nobody by Tom Piccirilli • review by T. T. Zuma
124 • Review: Red by Paul Kane • review by Michael McCarty
124 • Review: Sacrifice by John Everson • review by David Simms
124 • Review: The Shimmer by David Morrell • review by Tom Piccirilli
125 • Review: Turn Coat by Jim Butcher • review by Norman L. Rubenstein
126 • Review: The Unseen by Alexandra Sokoloff • review by Hank Wagner
128 • The Final Question (Cemetery Dance #62) • [The Final Question] • essay by Brian James Freeman [as by Brian Freeman]