The Best Science Fiction of the Year: Volume Two (The Best Science Fiction of the Year #2)

Neil Clarke, Nina Allan, Madeline Ashby, Aliette de Bodard, Gregory Norman Bossert, Karl Bunker, Carolyn Ives Gilman, Alexander C. Irvine, Xia Jia, Rich Larson, Ken Liu, Karen Lord, Karin Lowachee, Ian R. MacLeod, Sam J. Miller, T.R. Napper, An Owomoyela, Suzanne Palmer, Sarah Pinsker, Lettie Prell, Robert Reed, Alastair Reynolds, Margaret Ronald, Gord Sellar, Lavie Tidhar, Nick Wolven


Rated: 3.75 of 5 stars
3.75 · 4 ratings · 624 pages · Published: 04 Apr 2017

The Best Science Fiction of the Year: Volume Two by Neil Clarke, Nina Allan, Madeline Ashby, Aliette de Bodard, Gregory Norman Bossert, Karl Bunker, Carolyn Ives Gilman, Alexander C. Irvine, Xia Jia, Rich Larson, Ken Liu, Karen Lord, Karin Lowachee, Ian R. MacLeod, Sam J. Miller, T.R. Napper, An Owomoyela, Suzanne Palmer, Sarah Pinsker, Lettie Prell, Robert Reed, Alastair Reynolds, Margaret Ronald, Gord Sellar, Lavie Tidhar, Nick Wolven
To keep up-to-date with the most buzzworthy and cutting-edge science fiction requires sifting through countless magazines, e-zines, websites, blogs, original anthologies, single-author collections, and more—a task accomplishable by only the most determined and voracious readers. For everyone else, Night Shade Books is proud to introduce the latest volume of The Best Science Fiction of the Year, a new yearly anthology compiled by Hugo and World Fantasy award–winning editor Neil Clarke, collecting the finest that the genre has to offer, from the biggest names in the field to the most exciting new writers.

The best science fiction scrutinizes our culture and politics, examines the limits of the human condition, and zooms across galaxies at faster-than-light speeds, moving from the very near future to the far-flung worlds of tomorrow in the space of a single sentence. Clarke, publisher and editor in chief of the acclaimed and award-winning magazine Clarkesworld, has selected the short science fiction (and only science fiction) best representing the previous year’s writing, showcasing the talent, variety, and awesome “sensawunda” that the genre has to offer.

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