The Ruritania Trilogy Series by Anthony Hope, Gary Hoppenstand

3.80 · 73 ratings
  • THE HEART OF PRINCESS BY ANTHONY HOPE Classic Edition Annotated Illustrations: Classic Edition Annotated Illustrations (The Ruritania Trilogy #1)
    #1

    THE HEART OF PRINCESS BY ANTHONY HOPE Classic Edition Annotated Illustrations: Classic Edition Annotated Illustrations (The Ruritania Trilogy #1)

    Anthony Hope

    Rated: 3.50 of 5 stars
    · 4 ratings · published 1896

    Anthony Hope was born Feb. 9, 1863, in London. His father was the headmaster of the St. Johns Foundation School for the Sons of Poor Clergy. He was educated at Marlborough School and Baliol College, Oxford, obtaining an M.A. with honors in 1885. He studied to become a lawyer, and was admitted to the bar in 1887. He set up his own practice, but clients were few and far between, and he spent the periods in between cases by writing novels... more

  • The Prisoner of Zenda (The Ruritania Trilogy #2)
    #2

    The Prisoner of Zenda (The Ruritania Trilogy #2)

    Anthony Hope

    Rated: 3.84 of 5 stars
    · 38 ratings · published 1894

    pubOne.info thank you for your continued support and wish to present you this new edition. The Rassendylls- With a Word on the Elphbergs

  • The Prisoner of Zenda & Rupert of Hentzau (The Ruritania Trilogy #2 & 3)
    #2 & 3

    The Prisoner of Zenda & Rupert of Hentzau (The Ruritania Trilogy #2 & 3)

    Anthony Hope, Gary Hoppenstand

    Rated: 3.96 of 5 stars
    · 10 ratings · published 1894

    Rudolph Rassendyl's quiet life is interrupted by his unexpected and personal involvement in the affairs of Ruritania, whilst travelling through the town of Zenda, finding himself engaged in plans to rescue the imprisoned king.

  • Rupert of Hentzau (The Ruritania Trilogy #3)
    #3

    Rupert of Hentzau (The Ruritania Trilogy #3)

    Anthony Hope

    Rated: 3.72 of 5 stars
    · 21 ratings · published 1898

    Rupert of Hentzau is the dark sequel to The Prisoner of Zenda. Full of humor and swashbuckling feats of heroism, the tale is also a satire on the politics of 19th-century Europe.

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